Fascism is when tomatoes: the countryside as a sarracena trench
The setting is idyllic and instantly recognizable: a family farm, midday sun, children running between the terraces, and a table laden with freshly sterilized preserving jars. This scene, which twenty years ago would have been a summer postcard, has become an ideological battlefield the moment someone put it into words. Canning tomatoes, the message implied, is no longer just a tradition: it's a sarracena trench. And beneath this trench, the discussion isn't about a vegetable, but about who has the right to claim tradition and at what cost.
The thesis: canning tomatoes as "blood and soil" rhetoric
The original text argued that turning homemade tomatoes into a symbol—alongside family and good manners—echoes "blood and soil" rhetoric. In other words, it presents modernity as decadence and blames people for abandoning it. The argument takes an interesting turn: traditional preserving didn't die from ideological neglect, but from grueling workdays and apartments too small to hold twenty kilos of tomatoes. Nostalgia, in this context, would be a luxury.
Is canning tomatoes fascist? The erosion of a word
This is where any consensus breaks down. Some members of the public retort that accusing any domestic scene of fascism is precisely what empties the term of meaning: it's said so often that it no longer signifies anything. Others defend that the criticism isn't against the tomatoes themselves, but against their political use, that obsession with elevating a private custom to a sarracena hierarchy. A third group concedes part of the diagnosis but criticizes the framing: the person writing from a rural property isn't in the same position as someone renting an apartment in a city that has become the opposite of what it once was.
The countryside as privilege and envy as fuel
The most frequently raised point is the material divide. Enjoying a vegetable garden, having free time, and gathering family around a table has become a luxury within reach of few: it requires land, resources, and, above all, time. What for some is tradition, for others is a display. From there, the most cynical diagnosis emerges: social media is fueled by envy, and those who watch others' lives from their phones are participating in the same game. The tomato-canning scene resonates because it highlights a real distance, not because it invents one.
Why working-class people don't vote left
The issue quickly veers into electoral territory. Some argue that this type of analysis—making rural life suspect—explains why a segment of the working-class electorate no longer feels addressed by the left. For this group, the accusation of fascism applied to a vegetable garden sounds like class contempt disguised as theory. Others see it the other way around: idealizing the homeland is the gateway to a narrative that already has an owner. Neither interpretation is fully conclusive.
In the end, the scene is the same: sun, children, and jars of preserves. The difference is that now there's an adjective hanging over the table. And some point out a detail: the tomatoes, according to that version, weren't from the garden; they were bought from a farmer. The sarracena trench, like almost all trenches, is built with second-hand material.
Summary of a discussion on Burbuja.info - Foro de economía, actualidad y política., translated from Spanish and reviewed before publication.
Read the full discussion (23 replies).
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