New Avengers film ships with 2006 video game CGI
The CGI in the new Avengers film is being compared to a 20-year-old video game. Behind it lie budget cuts, tight deadlines and digital fog.
English · Original discussion in Spanish · Published
The new Avengers film and its 2006 After Effects CGI
The latest Avengers installment has united all viewers in a single verdict: its visual effects are, at the very least, embarrassing. The trailer looks like a video game from 20 years ago, with flat shots, matte lighting and not a single particle moving on its own. It is no accident: behind that disaster lies an economic equation that studios have squeezed to the absurd.
The business of digital haze
The production's favorite trick for cutting costs is smoke: fog, darkness and matte filters that hide the lack of detail. This avoids complex simulations of hair, particles or realistic lighting. The result is that plasticine texture reminiscent of 2006-era After Effects. Post-production budgets have been slashed while deadlines shrink, and the big franchises are paying the bill on screen.
The past that humiliates the present
The comparison with productions from more than 25 years ago is devastating. "Jurassic Park" and "Independence Day" still hold up, and a 1988 animation clip circulating among viewers shows the industry has gone backwards. Part of the explanation lies in the uncanny valley theory: when photorealism fails, the brain rejects the image, and the intensity of the rejection is proportional to the money spent. Add to that the Jonathan Majors factor: the actor's legal troubles would have forced part of the footage to be redone in a rush.
As long as the box office keeps filling up, no one in Hollywood will touch the model. The next big production with catastrophic CGI is already in development.
The latest Avengers installment has united all viewers in a single verdict: its visual effects are, at the very least, embarrassing. The trailer looks like a video game from 20 years ago, with flat shots, matte lighting and not a single particle moving on its own. It is no accident: behind that disaster lies an economic equation that studios have squeezed to the absurd.
The business of digital haze
The production's favorite trick for cutting costs is smoke: fog, darkness and matte filters that hide the lack of detail. This avoids complex simulations of hair, particles or realistic lighting. The result is that plasticine texture reminiscent of 2006-era After Effects. Post-production budgets have been slashed while deadlines shrink, and the big franchises are paying the bill on screen.
The past that humiliates the present
The comparison with productions from more than 25 years ago is devastating. "Jurassic Park" and "Independence Day" still hold up, and a 1988 animation clip circulating among viewers shows the industry has gone backwards. Part of the explanation lies in the uncanny valley theory: when photorealism fails, the brain rejects the image, and the intensity of the rejection is proportional to the money spent. Add to that the Jonathan Majors factor: the actor's legal troubles would have forced part of the footage to be redone in a rush.
As long as the box office keeps filling up, no one in Hollywood will touch the model. The next big production with catastrophic CGI is already in development.
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Summary of a discussion on Burbuja.info - Foro de economía, actualidad y política., translated from Spanish and reviewed before publication. Read the full discussion (19 replies).
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