New Blade Runner sparks backlash over LGBT storyline
The new Blade Runner film, co-directed by Ridley Scott, is stirring controversy over its LGBT twist: replicants shift from oppressed to oppressors. Reactions are pouring in.
English · Original discussion in Spanish · Published
New Blade Runner sparks backlash over LGBT storyline
The trailer for the new Blade Runner film, co-directed by Ridley Scott and a director seen as pogre, has set social media alight. According to early leaks, the plot reverses the role of the replicants: from an oppressed minority they become the rulers and subjugators of humans, a twist many read as an LGBT allegory. The replicants, portrayed as a marginalized community taking revenge on heteronormativity, have drawn rejection from part of the original saga's fanbase.
Forced evolution or a necessary turn?
While some see the decision as a surrender to Hollywood's proge agenda, others argue that Blade Runner has always been about marginalization and identity. The original work, released in 1982, already explored the humanity of the replicants. Still, the role reversal has been called cheap iconoclasm by some analysts, who point out that the first film's success owed much to the visual design of Syd Mead and Moebius, and to Vangelis's score.
Divided reactions and doubts about the format
Some comments suggest it could be a series rather than a film, adding to the confusion. Audience forecasts are not encouraging: there are antiestéticars the LGBT angle will reduce interest among the general public. The controversy is nothing new: every reboot of a legendary franchise sparks debate, but this one seems especially polarizing.
The striking detail: while the special effects of the 1982 original have barely aged, the new narrative gamble risks aging badly if it is seen as opportunistic.
The trailer for the new Blade Runner film, co-directed by Ridley Scott and a director seen as pogre, has set social media alight. According to early leaks, the plot reverses the role of the replicants: from an oppressed minority they become the rulers and subjugators of humans, a twist many read as an LGBT allegory. The replicants, portrayed as a marginalized community taking revenge on heteronormativity, have drawn rejection from part of the original saga's fanbase.
Forced evolution or a necessary turn?
While some see the decision as a surrender to Hollywood's proge agenda, others argue that Blade Runner has always been about marginalization and identity. The original work, released in 1982, already explored the humanity of the replicants. Still, the role reversal has been called cheap iconoclasm by some analysts, who point out that the first film's success owed much to the visual design of Syd Mead and Moebius, and to Vangelis's score.
Divided reactions and doubts about the format
Some comments suggest it could be a series rather than a film, adding to the confusion. Audience forecasts are not encouraging: there are antiestéticars the LGBT angle will reduce interest among the general public. The controversy is nothing new: every reboot of a legendary franchise sparks debate, but this one seems especially polarizing.
The striking detail: while the special effects of the 1982 original have barely aged, the new narrative gamble risks aging badly if it is seen as opportunistic.
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Summary of a discussion on Burbuja.info - Foro de economía, actualidad y política., translated from Spanish and reviewed before publication. Read the full discussion (10 replies).
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