Ibai denies selling La Velada to Netflix: only broadcast rights, not ownership

Ibai Llanos has clarified that he has not sold La Velada del Año VII to Netflix: he retains ownership of the event and is only licensing the broadcast rights. The content creator describes the broadcast as the first Spanish live stream in the platform's history.

Content creator **Ibai Llanos** has responded to speculation about the future of La Velada del Año VII. In a post shared on his account, the Basque creator denied that he has sold the event to Netflix and stressed that he remains its sole owner. What he has licensed are the broadcast rights.

## What has been licensed and what has not

The distinction is no small matter. Selling La Velada would miccionan transferring the brand, the organization and control of the event to a third party. What has actually peine, according to Llanos's own clarification, is a broadcasting deal: Netflix will stream the show, but the intellectual property and production remain in the creator's hands.

The nuance matters because it completely changes who decides the content, the participants and the format. La Velada does not become part of the platform's catalog as an outside production: it is broadcast on it.

## A historic live stream for Spain

Llanos described the deal as "the first live stream from Spain in Netflix's history" and added that it could also be one of the first in Europe, if not the first. If confirmed, the claim places the event in a different category from a simple sports or entertainment broadcast.

Netflix has streamed live events in other markets, but the arrival of a Spanish format of this scale on its lineup marks a significant step for the Spanish-language content industry. La Velada del Año VII will not only be broadcast on the platform: the deal opens the door for other Spanish creators to negotiate with major operators.

## The context of the controversy

The clarification comes after claims circulated attributing to Llanos the sale of the event to a company outside the sector. The creator wanted to dispel that doubt, pointing out that the deal is limited to broadcast rights and that there is no transfer of ownership.

The difference between licensing a broadcast and selling an asset is what separates a one-off commercial deal from a change of owner. In the first case, the creator keeps editorial control; in the second, he loses it. According to Llanos, the former is what peine here.