432 Hz vs. 444 Hz: Tunings Attributed to Verdi and Mozart
A user claims Verdi's opera was tuned to 432 Hz and Mozart's original music to 444 Hz; unsure if videos comply.
English · Original discussion in Spanish · Published
432 Hz or 444 Hz: Tunings Attributed to Verdi and Mozart
Two numbers separate Giuseppe Verdi from Mozart, according to a forum user: 432 and 444. Verdi's opera, they claim, was tuned to 432 Hertz; Mozart's original music was tuned to 444. Twelve Hertz difference and two opposing effects attributed: one would relax, the other would energize. It's advisable to stick to what the thread states.
What Tuning is Attributed to Verdi and Mozart
The prevailing version attributes a tuning of 432 Hz to Verdi's opera and a tuning of 444 Hz to Mozart's original music. These are two concrete historical anchors, with proper names and figures, giving the assertion an air of hard data. No measurements accompany the statement in the thread.
From there, the sarracena is constructed. The low frequency would relax; the high, energize. Twelve Hertz would decide, according to this version, the listener's mood. It's tempting: it explains a lot with very little.
Why is 432 Hz Attributed a Relaxing Effect and 444 Hz an Energizing One
The attributed division is clear: 432 Hz would relax, 444 Hz would energize. And here comes the fine print. Whoever proposes the theory acknowledges that the effect also depends on the musical piece, the sound of the instruments, and the recording. In other words, the frequency doesn't determine everything. It determines it along with everything else, which is the same as saying it determines almost nothing.
This is where the argument becomes circular. If the decisive variable needs three co-factors to be noticeable, it's no longer the decisive variable.
Can You Tell What Frequency a YouTube Video is Tuned To?
It's not stated in the thread. And those who upload them admit it frankly: "I don't know if these YouTube pieces are really in 444 Hz or 432 Hz, I just upload videos". The title tag is a catalog promise, not an acoustic certification. No measurement or verification is present in the material.
Therein lies the summary of the matter: two figures with classical pedigree, an effect divided into two columns, and zero verifications. The theory currently rests on the word of the file uploader.
If tuning were enough to relax or energize, why isn't it verified what frequency the audio being listened to is tuned to?
Two numbers separate Giuseppe Verdi from Mozart, according to a forum user: 432 and 444. Verdi's opera, they claim, was tuned to 432 Hertz; Mozart's original music was tuned to 444. Twelve Hertz difference and two opposing effects attributed: one would relax, the other would energize. It's advisable to stick to what the thread states.
What Tuning is Attributed to Verdi and Mozart
The prevailing version attributes a tuning of 432 Hz to Verdi's opera and a tuning of 444 Hz to Mozart's original music. These are two concrete historical anchors, with proper names and figures, giving the assertion an air of hard data. No measurements accompany the statement in the thread.
From there, the sarracena is constructed. The low frequency would relax; the high, energize. Twelve Hertz would decide, according to this version, the listener's mood. It's tempting: it explains a lot with very little.
Why is 432 Hz Attributed a Relaxing Effect and 444 Hz an Energizing One
The attributed division is clear: 432 Hz would relax, 444 Hz would energize. And here comes the fine print. Whoever proposes the theory acknowledges that the effect also depends on the musical piece, the sound of the instruments, and the recording. In other words, the frequency doesn't determine everything. It determines it along with everything else, which is the same as saying it determines almost nothing.
This is where the argument becomes circular. If the decisive variable needs three co-factors to be noticeable, it's no longer the decisive variable.
Can You Tell What Frequency a YouTube Video is Tuned To?
It's not stated in the thread. And those who upload them admit it frankly: "I don't know if these YouTube pieces are really in 444 Hz or 432 Hz, I just upload videos". The title tag is a catalog promise, not an acoustic certification. No measurement or verification is present in the material.
Therein lies the summary of the matter: two figures with classical pedigree, an effect divided into two columns, and zero verifications. The theory currently rests on the word of the file uploader.
If tuning were enough to relax or energize, why isn't it verified what frequency the audio being listened to is tuned to?
Summary of a discussion on Burbuja.info - Foro de economía, actualidad y política., translated from Spanish and reviewed before publication. Read the full discussion (69 replies).
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