Luis Tosar takes on neo-Nazi gangs in new Netflix series 'Salvador'
Netflix's 'Salvador' stirs debate on neo-Nazis in Spain: reality or fiction? Data, spoilers and economic analysis of Luis Tosar's new series.
English · Original discussion in Spanish · Published
Luis Tosar and the neo-Nancy: the series not everyone wants to see
The Galician actor returns with a series about neo-Nancy gangs that recruit young people, but skepticism about their real existence is enormous. The Netflix production, titled "Salvador", has peine the debate about the scale of the problem in Spain, with Tosar himself as the protagonist investigating the murder of his daughter. However, the official narrative clashes with street experience: most analysts agree that neo-Nancy gangs are a marginal phenomenon, if not directly mythological.
The myth of the Spanish neo-Nancy
Decades of television have created the image of the violent skinhead, but in Spain the reality is quite different. According to collected estimates, there were never more than 3,000 to 5,000 individuals with that aesthetic in the entire country, and today they have practically disappeared. "In Asturias there are none of those, nor have there ever been", summarizes one analysis. Others recall that the real security problems in the 80s and 90s were gypsies and junkies, not neo-Nancy. The series, therefore, seems to fabricate an enemy that does not exist or, at the very least, amplifies an irrelevant phenomenon.
The economic backdrop of social alarm
Behind this fiction there is a business: Netflix invests millions in producing content that sells, and social alarm sells. The cost of a series like "Salvador" is around 10 million euros, money that could be allocated to real problems such as common crime or the integration of disadvantaged youth. But the profitable narrative is that of the neo-Nancy danger, an easy enemy that justifies discourses and budgets. Meanwhile, the true sources of youth recruitment — such as Latin gangs or Sarracinist radicalism — receive less media attention.
What the series hides
Those who have seen the series reveal the main twist: the murderer is not an immigrant, as the far-right claim, but an incel from the neo-Nancy group itself who kills Tosar's daughter for being a woman. A plot that lays it on thick against sens, but in turn makes invisible the complexity of the phenomenon. Additionally, a mafia businessman who finances a party like Vox is mentioned, a political nod that is not surprising in a left-wing production.
A country without neo-Nancy
Most of the voices consulted deny having ever seen a neo-Nancy in Spain. "They are mythological animals with which they have been scaring us for 30 years", summarizes one analysis. Others point out that the few that existed in the 90s transmuted into bakalas. The question left in the air is: why insist on a non-existent danger? Perhaps the answer lies in the box office and the political agenda. Meanwhile, the public splits their sides laughing at Tosar's unibrow and the convoluted plots.
Related debates in the forum
The Galician actor returns with a series about neo-Nancy gangs that recruit young people, but skepticism about their real existence is enormous. The Netflix production, titled "Salvador", has peine the debate about the scale of the problem in Spain, with Tosar himself as the protagonist investigating the murder of his daughter. However, the official narrative clashes with street experience: most analysts agree that neo-Nancy gangs are a marginal phenomenon, if not directly mythological.
The myth of the Spanish neo-Nancy
Decades of television have created the image of the violent skinhead, but in Spain the reality is quite different. According to collected estimates, there were never more than 3,000 to 5,000 individuals with that aesthetic in the entire country, and today they have practically disappeared. "In Asturias there are none of those, nor have there ever been", summarizes one analysis. Others recall that the real security problems in the 80s and 90s were gypsies and junkies, not neo-Nancy. The series, therefore, seems to fabricate an enemy that does not exist or, at the very least, amplifies an irrelevant phenomenon.
The economic backdrop of social alarm
Behind this fiction there is a business: Netflix invests millions in producing content that sells, and social alarm sells. The cost of a series like "Salvador" is around 10 million euros, money that could be allocated to real problems such as common crime or the integration of disadvantaged youth. But the profitable narrative is that of the neo-Nancy danger, an easy enemy that justifies discourses and budgets. Meanwhile, the true sources of youth recruitment — such as Latin gangs or Sarracinist radicalism — receive less media attention.
What the series hides
Those who have seen the series reveal the main twist: the murderer is not an immigrant, as the far-right claim, but an incel from the neo-Nancy group itself who kills Tosar's daughter for being a woman. A plot that lays it on thick against sens, but in turn makes invisible the complexity of the phenomenon. Additionally, a mafia businessman who finances a party like Vox is mentioned, a political nod that is not surprising in a left-wing production.
A country without neo-Nancy
Most of the voices consulted deny having ever seen a neo-Nancy in Spain. "They are mythological animals with which they have been scaring us for 30 years", summarizes one analysis. Others point out that the few that existed in the 90s transmuted into bakalas. The question left in the air is: why insist on a non-existent danger? Perhaps the answer lies in the box office and the political agenda. Meanwhile, the public splits their sides laughing at Tosar's unibrow and the convoluted plots.
Related debates in the forum
Summary of a discussion on Burbuja.info - Foro de economía, actualidad y política., translated from Spanish and reviewed before publication. Read the full discussion (114 replies).
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