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Antiguo 23-dic-2008, 21:16
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--Hoy leyendo Historia de National geographic aparece el un artículo 2La manía del tulipán:el primer crak bursátil
Pero lo impresionante es la pintura de 1640 "una sátira de la manía del tulipán "de Jan Brueghel el Joven

Brueghel+Tulip+mania.JPG (image)

Van Gogh's Chair: Tulip Mania
And second, an interesting painting: pictured, "A Satire of Tulip Mania" by Jan Brueghel the Younger, ca. 1640. I discovered this painting on a visit to the Frans Hals Museum in Haarlem during my Dutch trip. It's a "singerie," a painting in which monkeys are used as an allegory to expose the foibles of humankind. Here is the museum's own de******ion, from its website:

"One monkey points to flowering tulips while another brandishes a tulip and a moneybag. This is how artist Jan Brueghel indicates that this painting is about the tulip trade. A sale is concluded by hand-clapping. Bulbs are weighed, money is counted, a lavish business dinner is savoured. The monkey on the left has a list of names of expensive tulips. The sword at his side is a status symbol. Farther back, a monkey sits like a nobleman astride a horse. Another in the mid-foreground is drawing up a bill of sale. The owl on his shoulder symbolises folly. Brueghel is ridiculing tulip mania by depicting the speculators as brainless monkeys. The painting also shows what happened when the tulip trade crashed: a monkey on the right urinates on the - now worthless - tulips. Behind him a speculator who has run up debts is being brought before the magistrate. A monkey sits weeping in the dock and in the centre at the back a disappointed buyer is wielding his fists. At the back to the right a speculator is even being carried to his grave."

Brueghel's painting follows much of 17th-century Dutch genre painting by providing a moral lesson for the viewer, here done as a scathing satire of human greed. Vincent van Gogh knew about tulip mania; in a letter to his mother, he provides a comparison to the art market of his day that proves an odd premonition: "Those high prices one hears about, paid for work of painters who are dead and who were never paid so much while they were alive, it is a kind of tulip trade, under which the living painters suffer rather than gain any benefit. And it will also disappear like the tulip trade. But one may reason that, though the tulip trade has long been gone and is forgotten, the flower growers have remained and will remain. And thus I consider painting too, thinking that what abides is like a kind of flower growing. And as far as it concerns me, I reckon myself happy to be in it." (letter 612, November 1889, written in the asylum of Saint-Rémy).

Última edición por BLICHON; 23-dic-2008 a las 21:47

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